![]() ![]() ![]() The final 13th note is the octave note, having the same name as the starting note. We know that this minor scale does not have any sharp or flat notes, so the second explanation above applies - sharps when ascending, flats when descending. An example A chromatic scaleįor this example - the chromatic scale in the key of A, let's assume that we are working with the natural minor scale of the same key - A natural minor scale, and we want to identify some chromatic scale notes outside that key. when playing the notes from lowest to the highest pitch, then use flats when descending. Chromatic scales without a key signatureįor both C major key signature and A natural minor key signature, there are no sharp or flat notes, so since there is no key signature, we have no clue as to whether to use sharp or flat names to identify any non-natural notes.Īlthough there seem to be no generally agreed rules on how to handle this, one common music theory convention is to use sharps when ascending the scale ie. Eb major key signature, where flat note names would be used. The same principle applies to flat-based key signatures, eg. G major key signature, and we want to use the chromatic scale to identify notes outside that scale, sharps would be used for those chromatic scale notes. Hour numerals on this eye-catching clock have been replaced on the chromatic scale, with a backdrop of dark blue sheet music featuring a photo image of your. major scale, or any minor scale), then the key signature will be the guide as to whether to use sharps or flats for the chromatic scale.įor example, if a sharp-based key signature is used, eg. Bass Clef (a 12th) Bb, C (2 octaves) E, Ab. If chromatic scale notes are being used and identified within the context of a scale with a key signature (eg. Chromatic scales may be asked - play one or two octaves starting on any note. Chromatic scale naming in the context of a key signature When it comes to naming the notes shown in the last step, the decision to be made is whether to use sharp or flat note names, both ascending or descending. The chromatic Scale consists of 12 notes each note is separated from the next by the interval of a semitone (or half step). You can copy the positions I’m using, or you can experiment with your own.This step gives note names to the piano keys identified in the previous step. This is because there are so many possible alternates and the most appropriate ones will change depending on the specific musical phrases in which they occur. Lesson 5: C Major scale in bass clef and reading in bass clef. Unlike other scales in this series, slide positions are NOT provided. This page shows all the chromatic bass scales in every key in tab form and notation as well as a free pdf (Bottom Of The Page) these scales can be used for bass guitar or piano or any instrument that uses a bass clef. The second time through, the note names are not included and there are two notes per beat, again with the top note repeated. The first time through, the note names are shown and each note gets one beat with the top note repeated. We always use B, C, E, and F- we don’t use B#, Cb, E#, or Fb. If you’re going down or descending, the note after D is Db followed by C. So, if you’re going up or ascending, the note after C is C# followed by D. There are twelve notes in it and each note is a half step away from the ones next to it.Įxcept for some of the first and last notes of the scales, the note name changes on the natural version of the note. This page shows all the chromatic bass scales in every key in tab form and notation as well as a free pdf (Bottom Of The Page) these scales can be used for. ![]() The CHROMATIC SCALE is simply every note between the first note (or the name of the scale) and the next octave that we see that note again.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |